Email this page Seamus Heaney is widely recognized as one of the major poets of the 20th century.
Throughout the poem, Heaney uses a very descriptive and imaginative language in order to create a tone of sympathy towards the reader; nevertheless, this tone is accompanied by a tone of adoration and admiration towards the bog girl.
However, by the end of the poem, the narrator completely changes his tone from admiration to understanding and empathy for the killing of the girl.
The entire poem is a description of the York Girl, a two-thousand year old petrified body which had been preserved under the earth and then dug up in in Holland. Heaney gives this fossil life through his diction by describing the state she was in when they dug her up.
The narrator switches from describing the York Girl and starts talking directly to her. The reader does not feel sympathy towards the York Girl anymore but empathy for her killers.
The first eight stanzas individually illustrate a gruesome picture in a passive and almost harmonic manner. Heaney uses a set of horrible images yet through the use of his language, the stanza manages to remain passive and harmonic to the reader.
The last four stanzas contain many images which guide the reader to understand the death of the York Girl and stop feeling sympathy. This line uses an alliteration to emphasize the narrators understanding of the York Girls death.
All the images in the poem at first guide the reader using a sympathetic tone; however, Heaney completely switches his tone to one of understanding and empathy. Heaney uses eleven stanzas which are divided into four lines each; making the poem very simple.
However, the reader notices that by the seventh stanza, the narrator has switched his attitude and tone towards the object of the poem. Therefore, there are seven stanzas of description which use a sympathetic yet depressing tone and four stanzas which use a more understanding tone towards the death of the York Girl.
Through the use of several detailed and carefully selected words, Heaney is able to make a transition in not only his thoughts, but in the actual tone of the poem.Free Essay: Mid-Term Break by Seamus Heaney. 'Mid-Term Break' by the poet Seamus Heaney is about a personal experience that he has encountered.
It deals with. “Digging” is the first poem of Seamus Heaney’s debut collection of poetry, Death of a Naturalist. It was a breakthrough for him.
In his own essay “Feeling into Words,” which was originally given as a lecture at the Royal Society of Literature in , he said, “I wrote it in the summer of , almost two years after I had begun to ‘dabble in verses.’.
Seamus Heaney is an Irish poet who was born in Mossbawn farmhouse and spent fourteen years of his childhood there.
Many of his poems are based on personal experience; ‘Mid-term Break’, for example, was based on the death of his younger brother; and are . “Digging” is the first poem of Seamus Heaney’s debut collection of poetry, Death of a Naturalist.
It was a breakthrough for him. In his own essay “Feeling into Words,” which was originally given as a lecture at the Royal Society of Literature in , he said, “I wrote it in the summer of , almost two years after I had begun to ‘dabble in verses.’.
Seamus Heaney- sample essay Essay Sample. Seamus Heaney is both a personal and political poet. He has written deeply personal poems such as “The Underground”, “Skunk”, and “A Call”, captivatingly political poems, such as “The Tollund Man” and “The Forge” or some that lie in-between, such as “A Constable Calls”.
Oct 11, · Words: Length: 2 Pages Document Type: Essay Paper #: Seamus Heaney's poem "Digging" and Peter Meinke's poem "Advice to My Son" both address the idea of family and how it is essential for connections between members of the family to be strong.